Ang Kwento ni Mama
Embedded from YouTube. Open this video on YouTube if the player does not load. It is also on our Facebook page.
Synopsis
The nightmare ended when she woke up. The face under the bamboo floor did not.
A story handed down inside one family: a woman's close friend killed her unfaithful husband and then took her own life, and afterwards appeared in the woman's dream. Waking up was supposed to be the relief. Then she had to go downstairs.
- Category
- Supernatural
- Narration
- Tagalog narration
- Story type
- Retold personal account
The story as it was told to us
This one comes from our narrator's mother, about a friend of hers. The friend's marriage ended in the worst possible way — she killed her husband after discovering he had been unfaithful, then took her own life.
Some time later she appeared in the mother's dream, and the dream turned into a nightmare. Waking up felt like the end of it. It was not: on the way to go downstairs to the bathroom, she saw the friend's face looking up through the gaps in the bamboo floor. She did not go down. She used a coffee cup instead.
Why the bamboo floor matters
A sahig na kawayan is not a horror device, it is ordinary construction. Split bamboo laid with gaps lets air move through the house and lets water drain, and it means the space underneath a raised Filipino home is never fully sealed off from the room above it.
That detail carries the whole story. The floor you stand on is also a set of openings, and the space below is somewhere a face can be.
What kind of story this is
A family account, retold as it was given to us. We are not presenting it as verified, and no names, place or date are identified. Treat it as testimony passed down within one family rather than as an established event.
The Folklore Behind It
More Filipino Horror Stories Like This
The Spirit of the Glass
No shop sells one. Every Filipino teenager knows how to build one out of paper and a drinking glass.
Ang Sumpa ni Maria Labo
She left to work abroad for her family. What came home was not what left.
The Ghosts of UST
Four centuries of campus. A friar on a garden bench, and a nurse with no face in the lift.